Week 5
In this blog I am going to talk about the lighting process of Act one and starting to block act five.
This week was the start of the lighting which was very exciting because it feels it if the play is coming to life a lot more. The start of the play is very naturalistic because of the light bulb effect feels as I the atmosphere is inside your bedroom which is simple but effective. The sound of the alarm makes the atmosphere more tense. I felt uneasy when I was panting because I can her my heart beat more than normal. Also seeing people getting up the same time as me makes more darker because of the dynamics that is shown. The lighting is a impressive to show the clock and to have it flashing makes the pace more faster. I think that is one of my favourite scene because I can feel other people that are connected to me that have the same dream. In the previous week Nikey came up with the idea of John coming thought the curtain and turning the alarm off with his watch. I think this is a lovely idea because it flows in to the next scene and it give the twelve a queue to exit the stage. However I think John should not do this very cheesy because it spoils the effects. I think should be more naturalistic when he does this not smiling as much when he does this.
Another scene that stood out for me was the clubbing scene when everyone is dancing. I thought that this scene combined with the lighting was a good atmosphere created. the lighting gave something extra to this scene instead of being a normal drama lesson. It made the actors creative with the lighting such as jumping in a club.
We began Act five by putting the twelve in the circle that was the beginning of Act five. However this did not link to the dialogue that was going to be said. Then anther idea came that we would be with someone that is linked to another character such as Zia and Shannon looking at the stars. This is linked when Shannon meets Zia on the park bench listening to John. The idea was to recreate a part of the play that has already been done or is going to happen. For example Ruth and Stephen chatting like they did in Act 1. This idea then became boring to watch because nothing was happening on stage which gave the last act very dry. So then we developed this idea by walking around in the space with the character but then this did not work because it was less structured therefore there was no purpose on that journey. Then we started to use the box as something to create the attention on. Unfortunately didn't work as there is loads of dialogue that is cutting in etc. I thought that this Act 5 was pointless because it doesn't leave the audience with a cliffhanger as much as Act 3 therefore we decided to cut Act 5. To be honest I didn't understand this Act 5. I thought that it was just a excuse to connect the 12 people one last time before the play ends. Also cutting Act 5 gives the play less risk of the audience switching off in the middle of the last Act which summarizes the play. I think that all plays needs to go with powerful ending or beginning so the audience won't forget the performance.
We then moved on to blocking Act 3. The first that we blocked Act 3 Scene 2. This scene has to lead on to a tense scene before this one. The previous scene is
'We again hear Laurie Anderson-'Someone Else's Dream'
This time it's cut even shorter. The twelve wake up again as before terrified and breathing'
The song 'Someone Else's Dream' starts with cellos being bowed slowly. I think that Bartlett was trying to create a relaxed atmosphere for the twelve therefore the cellos help the twelve to be calm. However The rest of the song stays on one level of pace which can make the song boring therefore the audience will loose concentration. So we thought that the music should stop halfway though to continue more on the plot. However having the whole song on will build the tension to the audience. On the other hand the audience have scene this scene before as it was Act one scene one.
Anyway I think that Act three scene two needs polishing because the response to each character is slow and not effective therefore the audience will not find it interesting. I am happy with what we have blocked. When I was doing this I was imagining what sort of house Edith stays in. Is it creepy? Smelly?. I thought that it was a messy house because her character is always in a hurry so she rushes about trying to look for things and it ends up in a mess. Having said this I thought of a idea that maybe I should pick things of the floor as I came in to help Edith because of her condition. I also thought that when there is no response from Edith then I reacted as if she was dead. So I walked very slowly just in case there was someone around in the house but entering the house made me less worried as I could see Edith standing staring at something. If Edith's characterisation was better then it would of made the scene more intense. I think she needs to stare at the audience to make the audience look uncomfortable. I think Edith needs to think about what she is staring at. Why is she terrified?. Maybe a photo of her family that she can't remember.
We then moved on to blocking Act 3. The first that we blocked Act 3 Scene 2. This scene has to lead on to a tense scene before this one. The previous scene is
'We again hear Laurie Anderson-'Someone Else's Dream'
This time it's cut even shorter. The twelve wake up again as before terrified and breathing'
The song 'Someone Else's Dream' starts with cellos being bowed slowly. I think that Bartlett was trying to create a relaxed atmosphere for the twelve therefore the cellos help the twelve to be calm. However The rest of the song stays on one level of pace which can make the song boring therefore the audience will loose concentration. So we thought that the music should stop halfway though to continue more on the plot. However having the whole song on will build the tension to the audience. On the other hand the audience have scene this scene before as it was Act one scene one.
Anyway I think that Act three scene two needs polishing because the response to each character is slow and not effective therefore the audience will not find it interesting. I am happy with what we have blocked. When I was doing this I was imagining what sort of house Edith stays in. Is it creepy? Smelly?. I thought that it was a messy house because her character is always in a hurry so she rushes about trying to look for things and it ends up in a mess. Having said this I thought of a idea that maybe I should pick things of the floor as I came in to help Edith because of her condition. I also thought that when there is no response from Edith then I reacted as if she was dead. So I walked very slowly just in case there was someone around in the house but entering the house made me less worried as I could see Edith standing staring at something. If Edith's characterisation was better then it would of made the scene more intense. I think she needs to stare at the audience to make the audience look uncomfortable. I think Edith needs to think about what she is staring at. Why is she terrified?. Maybe a photo of her family that she can't remember.